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60th Anniversary Coverage

Dateline: London: August 1, 1975

A historic event occurred on August 1, 1975 when the Prospective Sweet Adelines Chapter of Purbrook, Hants, England, became the first European chapter affiliated with Sweet Adelines International.

On that warm day in August Ann Gooch (International President 1975-77), accompanied by a member of headquarters staff, presented Purbrook Chapter President Sue Parkes the official chapter charter.

Seeing the Purbrook Chapter singing for the first time was “such a moment of emotion that I found myself quite overcome with pride for this glorious example of world understanding through music. It was an electric moment felt throughout the assemblage gathered to experience the event,” Ann Gooch remarked 30 years ago. “The chartering of Purbrook Chapter in England is a genuine gesture towards international understanding, and just another step towards our efforts to really Harmonize the World!”

In August 2005 Purbrook Harmony Chorus, Region 31, celebrated its Pearl Anniversary (30 years) with an evening of celebration and reminiscence.

The chorus has competed at convention each of its 30 years and is still moving forward. “Besides participating in Barbershop Music Appreciation Day, we continually sing at many events and to us belonging to our chorus and spreading the true meaning of Sweet Adelines is a great addition to our daily lives,” Purbrook Harmony Chorus President Merle Legge commented. “Our chorus has the proud reputation of being great at parties and has the great ability to sing anywhere at any time. Long may it continue.”

Today there are over 40 chapters in Europe, not to mention the close to 50 chapters in Australia, New Zealand and Japan, the close to 60 chapters in Canada and the hundreds of chapters in the U.S. Sweet Adelines International is indeed “Harmonizing the World!”

Wisdom From Yesteryear — What Does a Quartet Owe Their Chapter?

The answer to this question, we feel, is both simple and obvious –in a word– allegiance.

Webster defines allegiance as “… devotion or loyalty to a person, group or cause … obligation … fidelity.”

This sums up our sentiments very nicely. Without the chapter and our director, Ozzie Westley, there could have been no quartet in the first place. They made us possible, and in return are entitled to our “devotion, loyalty and fidelity.”

We believe that because we have been given much in the way of assistance, direction, backing and encouragement, we are now “obligated” to do likewise unto others.

We believe that by helping in any possible way (section leaders, costuming choreography, etc.) we will be partially repaying those members of our chapter who gave of themselves in our behalf.

We believe that winning the International Championship not only puts the quartet in an exciting and delightful position, but likewise attests to the superiority of the chapter from which it came.

We believe that we can continue to exercise our “devotion, loyalty and fidelity” by so arranging our outside commitments that our continued attendance at meetings and rehearsals will be assured.

We believe that the heady experience at Carnegie Hall is not the happy ending to a fairytale, but the beginning of an even closer, more harmonious alliance with our chapter.

The above statement of “allegiance” was submitted by the Hurricane Honeys in the summer of 1968 and published in the summer issue of The Pitch Pipe after their 1967 International win. Nancy Calay (t), Iris (Signorelli) Cokeroft (l), Ruth Ann (Strang) Parker (bt) and Marge Grau (b) from Miami, Fla., took the Carnegie Hall stage by storm at the 1967 Sweet Adelines International competition in New York. Their unique presentation of six songs, including two composed by Iris, told the story of Cinderella. The quartet’s costumes progressed from dust-maid outfits in the quarterfinals to gold hoop-skirted ball gowns in the semi-finals to glittering silver bridal gowns in the finals. Appropriately, their championship performance culminated with the presentation of crowns and a ride through Central Park to their hotel in a horse-drawn carriage.

The Hurricane Honeys have remained active through the years. By 1974 they had traveled more than 75,000 miles, from Disneyland in Los Angeles and back to New York City to perform on the Today Show. Toni Miller replaced the tenor in 1991 enabling the quartet to begin performing again after a period of inactivity.

Iris is currently the director of Goldcoast Chorus in Miami. She is a master director and has been directing for years. Iris and her husband arrange barbershop music for the Hurricane Honeys and several men’s barbershop groups. She is currently serving as regional faculty for Region 9 and remains an active coach within her region.

Marge is past president of the Coronet Club. She has been actively involved with the Coronet Club since 1967 and is a member of Goldcoast Chorus. She also serves on the chorus management team. She enjoys coaching quartets throughout Region 9.

Ruth Ann is a certified showmanship judge, approved candidate judge (sound), judge specialist (showmanship) and is currently the OPL in Region 1. She is a master director and has also directed several choruses throughout the country over the years — Greater Richmond, Vienna Falls, Houston Horizon, Miami and Royal Palm Choruses. All five choruses she has directed have competed on the International stage, with Vienna Falls and Royal Palm placing top ten. Ruth Ann enjoys coaching choruses and quartets in Region 1 and will occasionally visit Region 14 for coaching sessions.

Toni has been an active member of the Goldcoast Chorus for many years. She made a wonderful replacement when the original tenor, Nancy Calay, had to step down.

The Hurricane Honeys commitment to allegiance remains strong and true to this day.

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