Sweet
Adelines International is run by volunteer members through an extensive
committee system. Your interests and skills are needed, whether you
serve at the chorus, regional or international level. There is always
a committee grateful for your active participation. Many women in
Sweet Adelines International began serving on a chorus board of directors,
or management team, then became active in regional activities and
eventually were appointed or elected to regional office. Musically
and administratively, Sweet Adelines invites you to grow along with
the organization.
The International Board of Directors is elected by the membership
and functions as the governing and decision-making body of the organization.
The Board elects the officers of the corporation. The International
Board of Directors has the full authority to do all things necessary
to fulfill the purpose of the organization, including strategic planning,
the levying of fees and the execution of contracts. Board members
work directly with the international headquarters staff to monitor
and administer the organizations programs.
The Education Direction Committee (EDC) with guidance and approval
from the International Board of Directors, plans, supervises and evaluates
the work of the international subcommittees involved in planning,
monitoring or implementing member education. The EDC also plans and
oversees content of international educational events, oversees the
Young Women in Harmony Program, approves faculty assignments, and
initiates long-range planning, among other duties.
Subcommittee members, selected for their particular expertise, are
recommended by the EDC to the International President and Executive
Committee to be ratified by the International Board of Directors.
The following is a synopsis of each committee reporting to the EDC:
International Faculty Coordinators evaluate and oversee the
work of the International Faculty.
International Music Arrangers Program Coordinators oversee
the administration of the International Music Arrangers Program.
Judge Specialists administer the International Judging Program
and evaluate the work of its members.
Director
Education Committee is a standing committee named by the International
Board of Directors as a direct response to the findings of the Director
Education Task Force. The committee is charged with eliciting and
overseeing the ongoing education of directors in our organization.
Published
Sales/Marketability Committee reviews arrangements for possible
publication by Sweet Adelines International.
The subcommittees just described report to the EDC because they are
directly related to education or educational planning. Having a different
direction, the following six committees report directly to the International
Board of Directors:
The Membership Committee is a new committee
named by the International Board of Directors. The committee is charged
with creating and developing marketing/membership programs for membership
growth and retention.
The
Nominating Committee considers potential nominees for the International
Board of Directors. The committee is composed of five members: three
members of the International Board of Directors and two selected from
the membership at large.
Regional
Leadership Coordinators oversee regional leader education and
training; evaluate and recommend Education Coordinators for appointment
by the EDC.
The Showcase Committee plans the annual philanthropic Showcase
performance benefiting the Young Singers Foundation and the Young
Women in Harmony program. Showcase is held on Tuesday evening during
international convention week. The committee oversees its production,
and acts on behalf of the International Board of Directors in engaging
performers for its shows.
Young
Singers Foundation Management Committee oversees the grant
and scholarship awards processes; plans, supervises and evaluates
the work of subcommittees and volunteers; and oversees the planning
and delivery of all fundraising activities.
Editorial Review Board reviews and evaluates editorial
and advertising material submitted for publication in The Pitch
Pipe and the Sing eZine.
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